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To recognize the forms, the solidity, the natural relating unity, grazing, pressing, using its objects. That's the way her sensorial interests become painting. What is important for her is, in fact, the material and his thickness, sometimes stratified, of the sand collected by herself on which She wants to provoke changes. Transformations of things becoming emotions. We wonder how far the link, still strong, with her roots, in places that hand on an ancient and unchangeable knowledges, had a significant result on her work.

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